The Long Voyage, The Longer Forgetting


 

On August 9, 1890, the first Javanese plantation workers set foot in Suriname, and the world did not pause to notice. It never does, does it? The world keeps its great indifferent spin, the sun rises over cane fields and over the sea and over the hold of a Dutch ship where men and women and children sit with their thin bundles and their thinner hopes, and the world does not care a damn about any of it.

Thirty-three thousand of them, in the end. Thirty-three thousand souls, which is a number so large it becomes almost meaningless—an abstraction, a census figure, a footnote in some academic paper gathering dust in a university archive in Utrecht. But each of those thirty-three thousand was a person who had once stood in a village in Java, maybe on a warm evening with fireflies in the tall grass, and listened to a Dutch colonial recruiter spin his golden web of words. Good pay. Better life. Adventure, even. Come, come, what do you have to lose?

Plenty, as it turned out.

They came to replace the Indian workers, who had been deemed troublesome by colonial authorities—and isn’t that a word that could curdle milk, when you think about what it means? Troublesome. Men and women who wanted to be treated like human beings. Men and women who balked at being cheated and worked to collapse in sugar fields under a brutal sun. Troublesome. The Dutch had a talent for that kind of language, the kind that dressed naked cruelty in bureaucratic linen.

“The descendants of these contract workers have been given misleading information,” said Amber Muhamadkasbi, a researcher and Javanese descendant, her voice carrying the particular quiet weight of someone who has spent a long time staring directly at an ugly thing. “As if their ancestors went to Suriname of their own free will. On top of that, true social equality still hasn’t been achieved. For the descendants, having historical awareness is vital. Our place here in the Netherlands wasn’t just handed to us—it had to be fought for.”

Fought for. That’s the thing about history: it doesn’t lie still. It kicks.

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Most of those first workers were illiterate. You need to sit with that for a moment. Illiterate doesn’t mean stupid—it never does, and don’t let anyone tell you otherwise—but it meant they couldn’t read the contracts they signed. Couldn’t parse the fine print, the loopholes, the elegant Dutch legalese that promised them heaven and delivered something considerably further south. They pressed their thumbprints to paper and trusted that the words written there were the words they’d been told. This was, in the calculus of the colonial project, considered convenient.

And yet something in them persisted. Something in them endured. By 2012, people of Javanese descent made up 13.7 percent of Suriname’s population—the country’s fourth-largest ethnic group. They maintained their culture the way a vine maintains itself on a crumbling wall: quietly, stubbornly, finding purchase wherever purchase could be found. They preserved their traditions. They still spoke Javanese, that old tongue that had traveled ten thousand miles in the bellies of ships and somehow arrived intact.

But is that all there is to it? The food, the language, the festivals on certain holy days? The pretty surface of it?

Reader, it is not.

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Consider Iding Soemita.

He was born in Cikatomas, in the Tasikmalaya region—Sundanese parents, Priangan people, the kind of family that had its own particular pride and its own particular sorrows. He arrived in Suriname on October 25, 1925, stepping off the gangplank into air that smelled of cut cane and distant rain, and went to work on the Marienburg and Zoelen sugar plantations. Hard work. Repetitive work. The kind of work that gets into your joints and your back and stays there like a bad tenant who won’t leave.

But Soemita was watching. That was the thing about him—he watched, and he thought, and what he thought about was the particular, grinding inhumanity of the way the Dutch treated these people he’d come to know as his own. You could see it in the small things, if you knew how to look. Dead workers buried like they were nothing—no ceremony, no dignity, just a hole in the ground and move along, the fields don’t plant themselves. If you’ve ever watched someone you know be treated as less than human, you know what that does to you. It doesn’t just make you angry. It makes the anger permanent. It gets into the foundation of you.

So Soemita built something. He built the Mulih Njowo movement—Go Back to Java—and he aimed it like a fist at the Dutch colonial administration’s jaw. Send them home, he demanded. The workers whose contracts have ended, send them home.

The Dutch, to no one’s great surprise, proved slippery.

The government offered “ship money”—a premium of one hundred Surinamese guilders, Sf100—as compensation. But there was a catch, and the catch had teeth. Accept the money, the Dutch warned with their bland administrative smiles, and you stay permanently. You waive your right to return. You sign away Java. The choice wasn’t really a choice; it was a trap with a pretty bow on it.

When Mulih Njowo stalled out against that wall of colonial cunning, Soemita didn’t fold. He launched Nagih DjangjieCollect the Debt—and there is something almost biblical in that name, isn’t there? The idea that a promise was made, that the ledger remains open, that someone will be made to pay. It had the potential to change the entire political direction of the country, this second movement. Soemita had found his people’s anger and given it a spine.

On November 28, 1949, his political allies formed the Kaum Tani Persatuan Indonesia party—the KTPI—and they marched into the Surinamese parliament with four seats: two in Paramaribo, two in Commewijne. Four seats, maybe, but four footholds, and from footholds you can climb.

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Now consider Salikin Hardjo, who was Soemita’s great rival, though rival is almost too clean a word for what men become when they are both fighting for the same desperate cause from slightly different angles.

Hardjo was a printer by trade, not a journalist—though God knows he wanted to be. He worked for the newspaper De Banier van Waarheid en Recht between 1930 and 1935, setting the type for other men’s words, handling the physical language of the press without being permitted to add his own to it. So he invented a mask.

“Bok Sark”—a fictional Javanese housewife. Eleven letters, published under the heading Brieven uit Commewijne—“Letters from Commewijne.” And those letters read, according to the Dutch writer Klass Breunissen, almost like novels. Vividly exposing the tragic stories of the marginalized Javanese contract workers. Exposing them the way a wound is exposed when you peel back a bandage—not to cause pain, but because the light is necessary.

The letters were so vivid, so precisely devastating, that they caught the attention of the Dutch parliament itself. Imagine that. A fictional housewife, invented by a printer, shaking the walls of The Hague.

Hardjo’s political career came to less than he hoped. His party, the PBIS, never matched the electoral success of Soemita’s KTPI, and when the 1949 elections ended in failure, he shifted his energy to something more concrete: getting people home. He founded the Stichting Terug naar het Vaderland—the Return to the Homeland Foundation—and in 1954, it worked. About a thousand Javanese people packed their belongings, said their goodbyes to the cane fields and the red Surinamese earth, and went home. They built a new settlement in Desa Tongar, West Sumatra, and started again, and the grass grew over their old paths in Suriname and the world kept spinning.

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The story doesn’t end there, of course. Stories like this never do.

Suriname’s political landscape is its own strange creature—ethnic parties staking out their territories like homesteaders on some frontier map. The VHP for the Hindustani community. The NPS drawing Afro-Surinamese support. And for the Javanese: Pertjajah Luhur, led by Paul Slamet Somohardjo, officially born on December 5, 1998, though its roots twist back to 1977 and a predecessor party called Pendawa Lima that had held its own through election after election before internal fractures broke it apart.

Internal fractures. That’s the other thing history teaches you, if you’re paying attention. That the enemy outside the gate is rarely as dangerous as the rot that gets started inside the walls.

By the 2025 elections, Pertjajah Luhur held just two parliamentary seats. Two, where once there had been six.

“Javanese people today have different desires,” said Evet Karto, a Commewijne representative from the party, and there was something in those words that carried the particular exhaustion of a person watching something they love slowly change into something they no longer recognize. “They’re voting for other parties. There are many reasons. Javanese people now have different goals and aspirations.”

The old fighting spirit—Soemita’s bone-deep fury, Hardjo’s underground journalism, those eleven letters from a housewife who never existed—had been metabolized by time. Diluted. Which is not quite the same as extinguished.

Because Pertjajah Luhur still holds to gotong royong—that essentially Indonesian concept of mutual cooperation, of lifting together, of the community as the unit that matters. Among all the parties in Suriname today, it remains the only one that explicitly, stubbornly, defiantly represents the Javanese community.

And somewhere in the sugar fields of Commewijne, if you close your eyes on the right kind of evening, maybe you can still hear it—the sound of thirty-three thousand people arriving, carrying everything they own, pressing their thumbprints to paper they couldn’t read, and trusting that the world would eventually make good on its promises.

It hasn’t. Not entirely. Not yet.

But they’re still here.

And they’re still counting.

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