Some men just don’t know when to quit. You’ve met one. Maybe
you are one.
Take Prabowo Subianto. He lost in 2009. He lost in 2014. He
lost in 2019. Three times the voters looked him over and said no thanks,
and three times he picked himself up, dusted off his knees, and went back to
the well. In 2024 the well finally gave him what he wanted.
Now take Salvador Allende, who ran for the presidency of
Chile in 1952 and lost. Ran in 1958 and lost. Ran in 1964 and lost. Three
strikes, and any sensible man would have been out. But in 1970 he stood at the
plate a fourth time, backed by the Popular Unity coalition, an alliance of
left-wing parties that included the Socialists, the Communists, the Radicals,
the Social Democrats, Independent Popular Action, and MAPU. And this time he
connected.
That’s where the resemblance ends. Where it ends is the
interesting part, and it’s a lot darker than a ballot box.
---
Allende was supposed to have red blood, as the phrase
went. He was the first avowed Marxist to be elected president in a liberal
democracy in South America. Prabowo carries the other kind, the blue-blooded,
silver-spoon kind inherited from his late father, Soemitro Djojohadikusumo. And
the Advanced Indonesia Coalition that carried the Prabowo-Gibran ticket? You’d
be hard pressed to find a drop of Allende’s politics in that crowd.
So, different men, different blood, different coalitions.
The biggest difference of all was how it ended.
Allende’s story ended with a body on a palace floor. Prabowo’s
is still being written from a comfortable chair, in a comfortable house, with
the fruits of all that patient campaigning laid out on the table in front of
him.
But I’m getting ahead of myself. Let’s go back to Santiago,
back to 1970, when the people in Washington watched the Chilean election
results come in and felt something cold crawl up the backs of their necks.
Chile was red. Too red. The people who ran America in
those days had a bone-deep belief in the domino theory, the idea that when one
country falls to communism, its neighbors go over next, tick, tick, tick. They
believed it the way some folks believe in ghosts: not because they’d seen one,
but because the idea of it kept them up nights.
When the coup finally came on September 11, 1973, the
American hand in it was like thallium. Tasteless. Odorless. You’d never know it
was in the glass. But even a little is enough to kill you.
---
The man who stepped into the presidency afterward was
General Augusto Pinochet, commander-in-chief of the army, the beneficiary of
American money and American goodwill. Allende himself was dead, and how
he died is a thing people still argue about. The junta’s official version said
he put a gun to himself. Argument over that has never entirely gone away.
What came after was worse. Tens of thousands of Allende’s
supporters were killed or simply vanished. That’s the word they use, and
it should make your skin crawl, because it means someone got up one morning,
kissed their family goodbye, and never came home. Santiago’s stadium became a
place of horror, a holding pen and then a graveyard. Thousands were herded in.
By some accounts at least five thousand were rounded up and shot.
It was savage. If you know Indonesian history, it should
have a terrible familiarity, because it rhymes with 1965.
And that, I think, is the thing the writer of this piece
wants you to feel: it wasn’t an accident, and it wasn’t new.
---
The CIA, the long arm of the American government, had done
this kind of work before. In Indonesia it had its friends, a group of
economists the historian Bradley Simpson wrote about in Economists with Guns
(2008, p. 20) and called the Berkeley Mafia. They’d gotten their educations at
the University of California through anti-communist brokers. When Soeharto took
charge, they were handed official posts, like gifts under a Christmas tree.
Brazil had a version of the same story. In 1964 there was a
coup in Brasília, and behind it stood a conspiracy that funded the Institute
for Social Research and Studies, IPES, which went right on operating under the
dictatorship until 1972. Its job was to produce anti-communist thinkers the way
a factory produces widgets. The target was Juscelino Kubitschek, and the
machine was built to unseat him.
Washington wanted the people of Latin America afraid.
American philanthropic money paid for it. The enemy had a single name: communism.
And at the top of that pyramid sat Henry Kissinger, national
security adviser to President Nixon. He approved $300,000 to be used against
Allende. In a “Memorandum for the Record” dated Washington, June 27, 1970, he
said this:
“I don’t see why we need to stand by and watch a country go
communist due to the irresponsibility of its own people.”
Read that again. Slowly. Think about the arrogance in it. The
irresponsibility of its own people. These were people who had voted. That
was their offense.
---
Tim Weiner, in Legacy of Ashes: The History of the CIA
(2008, pp. 308–310), tells how Kissinger’s intelligence circle fed propaganda
to prominent journalists. They even got a cover story into Time
magazine, written in the thick smoke of communist menace. Anti-communism wasn’t
a position in those days. It was the weather.
In Chile the CIA leaned hard on El Mercurio, a
right-wing paper that took the agency’s money. It paid for posters, for
pamphlets, for slogans painted on walls all over the city.
And still it wasn’t enough. Allende’s coalition won, if
narrowly. Not long afterward El Mercurio ran a big special report on
Brazil under a headline that sounds, at first blush, almost like a travel
brochure:
“Brazil—Tomorrow Is Today.”
But read it again, the way you’d read a note slid under your
door at 3 AM. It wasn’t about Brazil. It was a threat wearing a necktie.
It cast Chilean communism as a ghost, a thing too terrifying to be allowed a
future, and the optimism in it was the optimism of the hunter who has already
picked out the spot on the wall where the head will hang. Today, capitalism
wins. Tomorrow, Brazil is Chile.
---
Here is the part where the story gets a second set of eyes
watching it from across the border.
Over the following months, Brazil’s generals started working
out ways to contain socialism in Chile, what the Chileans called la vía
chilena, “the Chilean road.” At times they seemed to hate it even more than
the Americans did.
Vincent Bevins writes in The Jakarta Method (2020, p.
177) that Brazil pushed Washington to get more involved in South American
affairs. Brazil wanted Chile to “align the same way” it had. Médici, the
Brazilian dictator, had by then done plenty of work in neighboring countries to
prop up right-wing strongmen. Bevins puts it plainly:
“Médici’s dictatorship also helped overthrow the government
in Bolivia and install the right-wing General Hugo Banzer as dictator. Evidence
shows that both Brasília and Washington provided funds and assistance for that
August coup.”
Uruguay got the same treatment. When it looked as though the
leftist Frente Amplio might win, Brazilian intelligence operatives quietly
drifted to the border and quietly disrupted the process, and the right-wing
Colorado Party kept its seat.
Meanwhile, in Washington, a president sat down after Allende’s
victory and wrote a note to his CIA director, Richard Helms. You can find it
quoted in The Pinochet File (2003, p. 36):
“Probably only 1 chance in 10, but save Chile!… $10,000,000
available, more if necessary… [find] the best men we have… make the economy
scream.”
Make the economy scream. I’ve read a lot of horror in
my time. I’m not sure I’ve ever read a sentence that cold.
---
Weiner says (p. 310) that the Americans went after Allende
on two tracks.
The first track was the quiet one. Political warfare.
Economic pressure. Propaganda. Diplomatic maneuvering. CIA men bribed Chilean
politicians and spread fear among ordinary people like a fine mist. And if all
that failed, they would drive the country into the ditch of extreme poverty and
let hunger do the rest.
The second track was the loud one: a military coup. The
agency started whispering with right-wing officers and funding radical groups,
among them the one that would become Pátria y Libertad, an anti-communist
terrorist outfit with a geometric spider for a logo. Look at that spider. A
thing like that doesn’t pick its symbol by accident.
Nixon was pleased with Médici. Near the end of 1971, the
Brazilian dictator sat down with him and reported that his regime stood ready
to work toward Allende’s overthrow. Tanya Harmer cites Médici in “Brazil’s Cold
War in the Southern Cone, 1970–1975” (2012, p. 660): “We must not be complacent
about the situation in Latin America, which could explode at any moment.”
At his farewell banquet he raised a glass of wine and said
the rest: “Wherever Brazil goes, Latin America will follow.”
You can almost hear the glass clink.
---
Now. Let’s talk about the word.
For years the official line in Indonesia was that the events
of September 30, 1965 (G30S, or Gestok) were a coup attempt by civilians in the
PKI, the Indonesian Communist Party. Victor Fic’s The Coup of October 1,
1965: A Study in Conspiracy (2005) is the sort of book that leans on that
word, conspiracy, as if it were a load-bearing wall.
Then there’s Jess Melvin, who wrote “G30S/Military: How
Soeharto Orchestrated the 1965 Massacres.” Her argument is something different
and bolder. The masterminds, she says, were the military, and above all
Soeharto. Her work isn’t a defense of anyone. It’s a counter-story to the New
Order’s long insistence on the label “G30S/PKI.”
It wasn’t a one-off. If you step back and look at the
pattern, the 1964 coup in Brasília, the 1965 events in Jakarta, you begin to
see that what happened in Indonesia was not the first of its kind, and
it would not be the last. The winner every time was the same: the military.
And somewhere along the way, in the hands of the Brazilian
generals and their friends, the name of a city became something else.
---
Operação Jacarta. Operation Jakarta.
According to Brazil’s Truth Commission, it was a secret
project with plans for extermination in it. In the commission’s telling, the
dictatorship played a part in campaigns of disappearance and mass killing aimed
at people accused of being communists. The 1975 murder of the journalist
Vladimir Herzog is said to have prevented the plan from being fully
carried out. The link between the two emerged when the claim of an Operação
Jacarta surfaced in testimony before the São Paulo State Legislative Assembly.
Here’s the catch, and I want to be honest about it because
the honest part matters. To this day, nobody has proved that the Brazilian
military ever used that term internally. The reports come to us only as
testimony, public vocabulary passed from mouth to mouth. In a court of law, the
generals can’t yet be called guilty of that.
But think about what’s left standing when you subtract the
proof. The word was out there. It was in the air, like the smell of
smoke that tells you something’s burning somewhere you can’t see.
Consider Ing Giok Tan. In May 1962 she was a young woman
from Jakarta who boarded an old ship with her parents and sailed for Brazil.
Indonesia was sinking into the Cold War, caught between capitalism and
communism, and her parents were frightened. Brazil offered them “freedom,
opportunity, and escape from conflict.”
You can guess what comes next. You’ve read this kind of
story before.
Two years later, in 1964, the generals took Brasília.
President João Goulart was gone. A year after that came the events in Jakarta,
back in the country the Tans had run from. They had crossed an ocean to escape
the monster, and the monster had simply beaten them there. In both
capitals, anti-communism became the sacred text of the new bosses, and with
American backing it would justify the same thing again and again across the
continent.
---
Brazilians began hearing “Operação Jacarta” widely about
three years after the 1964 coup. But in Chile, the word Jakarta was
never whispered. It was out in the open, as casual as a stop sign.
Walk through Santiago in those days, especially the eastern
part of the city, where the bourgeoisie lived behind their tidy fences. Someone
had been busy at night. On the walls, on the fences, on the sides of buildings,
the messages appeared in irregular murals and rough graffiti you could still
read if you stopped and looked.
Yakarta viene.
Jakarta se acerca.
Jakarta is coming. Jakarta is getting closer.
Say it out loud in the dark, to yourself. It sounds like the
beginning of a ghost story. In a way it was. It matched the tone of that El
Mercurio cover, short and blunt, a promise made by people who had already
decided how it would go: Prepare yourselves for a military coup.
---
The campaign had a face, or at least a few of them. Juraj
Domic Kuscenic was a Croatian anti-communist who wrote for El Mercurio
and had close ties to Pátria y Libertad from 1970 on. He’d been invoking “Yakarta
viene” since the 1960s. You can find his early writing on Indonesia in Fundamentos
de la Praxis Marxista-Leninista en Chile (1977), published by Editorial
Vaitea. On page 33 he reviews a 1969 article that blamed the destruction of the
PKI on the grave the communists had dug for themselves.
Then there was Manuel Fuentes Wendling, a leading figure in
Pátria y Libertad, who joined forces with Domic to escalate the vandalism of
the city’s walls. They planned to blanket Chile with five hundred thousand
graffiti pieces, starting in 1970, with the immediate goal of supporting the
presidential candidate Jorge Alessandri. Wendling tells the story himself in
his memoir, Memorias Secretas de Patria y Libertad (1999), on pages
61–76 and again on 320–325.
Half a million. Think of that. Not a prank, but an industry.
In February 1972, a second piece on the subject appeared,
this one in Ramona, a magazine affiliated with the Communist Party. It
was titled “La conspiración derechista está tomando vuelo,” and it accused
right-wing groups of adopting something called “Plan Djakarta,” which the
article said had been devised by David Rockefeller or by Agustín Edwards, the
owner of El Mercurio. It claimed the two used Ralston Purina, a pet-food
company in Chile that they owned, as cover. (Yes. Pet food. Sometimes
the real world is stranger than anything I could make up.)
The article was blunt about what it feared:
“The Chilean extreme right wants to repeat that massacre.
What does that mean in concrete terms? The terrorists have a plan that includes
the murder of every member of the Communist Party Central Committee, the
leaders of the Socialist Party, the national directors of the CUT, the leaders
of social movements, and all prominent figures on the Left.”
It was signed by Carlos Berger, a Communist Party member who
had once argued furiously with a fellow student at the University of Chile
named Carmen Hertz about left-wing tactics and what the Indonesian massacres
meant. Funny how things turn out. After all those arguments, the two of them
married.
---
And the strategy worked. That’s the ugly truth of it.
Chileans got scared. It was like looking down the barrel of a gun that had been
lovingly loaded, over many years, by the compradors of the anti-communist
cause.
Both sides painted, of course. The left had its own
volunteer muralists, working in the tradition of Diego Rivera, who covered
walls with complicated, beautiful landscapes drawn from the culture of the
Mapuche, Chile’s indigenous people. The right had money. Funds from Washington
flowed into the pockets of professional painters who were, by all accounts,
less gifted, being more used to doing advertising slogans than art. They worked
hard, though. They worked fast.
Patricio “Pato” Madera, one of the founders of the Ramona
Parra Brigade, the Ramona mural collective, took one look at the “Jakarta”
graffiti and recognized the hands behind it. The same hired crews, he said, who
had been painting right-wing slogans in terror campaigns since 1964.
The paint wasn’t the only thing that came for the
Communists. There were postcards, too. Threatening messages arrived in the mail
at the homes of party officials. In 1972, Berger and Hertz got one headed Yakarta
se acerca, and at the bottom, there it was, the geometric spider of Pátria
y Libertad, looking up out of the card like it had been waiting for them.
Imagine opening that at your kitchen table.
After that, the couple could never feel safe in their own
neighborhood. They lived like fugitives, sometimes sleeping at work, only
occasionally going home, and never for more than a night or two at a time. You
learn to listen for footsteps. You learn which stairs creak.
By then, even saying the word “Jakarta” aloud felt like
breaking a taboo. It carried dark and grim memories with it, and you didn’t
have to be told why.
---
Time has put a little distance between us and all that. In
2017, Loreto Garín Guzmán and Federico Zukerfeld of the Etcétera group in
Buenos Aires staged an installation called Yakarta Viene, “Jakarta Is
Coming,” to remember the victims of the terror, the mass slaughter, and the
brutality of Pinochet. They also made a collective video, “Matices Tonos y
Semitonos de una orquestación terrorífica.” In the exhibition, Etcétera showed
four works drawn from artistic research into history, offered as a counter-narrative
to the military’s version of events, the one Pinochet’s men wanted told.
That’s how it goes with ghosts. You can paint over them, and
burn the postcards, and tell yourself the war’s long over. But the walls
remember. Somewhere in the city, under a coat of whitewash, a few faded letters
still say what they’ve always said.
Jakarta is coming.

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