The Sugar King of Semarang


 

Imagine a corridor.

Not a grand one. Not at first. Just a corridor in the Old Town of Semarang, on a street the Dutch called Heerenstraat and the locals called Jalan Kepodang, with the heat of Java sitting on it like a wet hand. Inside the offices of the Kian Gwan company, the typewriters never stopped. Clack-clack-clack-ding. Down the hall, the telegraph machines chattered on and on, a sound like insects that had learned to count money.

And somewhere in London or New York, a man was setting the price of sugar because a man in Semarang had told him what it was.

Not the other way around. Think about that for a second.

His name was Oei Tiong Ham, and people called him the Sugar King of Asia. They didn’t say it the way you’d say it about a man with a nice house. They said it the way you’d say the Pope or the weather. It was a fact of life.

But kings don’t come out of nowhere. They come out of somebody’s before, and Oei Tiong Ham’s before starts with his father.

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Oei Tjie Sien came out of Fujian, in China, with the Taiping Rebellion at his back. If you don’t know about the Taiping, all you need to know is this: it was one of the bloodiest wars in human history, and the people who could run, ran. Oei Tjie Sien ran. He ran all the way to Java, and when he got there he had nothing. He set up in Semarang as a small-time trader, a man with a handcart and a good memory for faces and prices.

In 1863 he founded a firm and called it Kian Gwan. Rubber, coffee, gambier. Nothing glamorous. The kind of business that puts food on the table and keeps a man up at night doing sums by lamplight.

Three years later, in 1866, a son was born into that house.

Oei Tiong Ham came into a family that was already becoming something, and I want you to hear that word, because it matters. Not rich yet. Not powerful yet. Becoming. Like a storm is becoming, out over the water, when the sky goes the color of an old bruise and the birds get quiet.

In 1893 he took the helm of Kian Gwan. He inherited capital, sure. Plenty of men have inherited capital, and plenty of them have pissed it away by forty. But Oei Tiong Ham had something else, and it was the thing that set him apart: he could see. Where other men saw a family business, he saw an empire, the first modern conglomerate in Southeast Asia, sitting there in the dark waiting for somebody to switch on the lights.

The Dutch noticed. The Dutch always notice a man who is getting rich in their territory, and they generally do one of two things about it. They crush him, or they co-opt him. In his case they gave him a title: Majoor der Chinezen, Major of the Chinese, the highest rank a Chinese resident of the colony could hold.

It was an honor. It was also a leash. Keep that in mind.

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Now, sugar.

In the late 1800s, the sugar business in Central and East Java was a shambles. The mills were old, the methods were older, and the whole industry ran the way it had always run, which is to say badly. There’s a certain kind of man who looks at a mess like that and sees only the mess. And there’s another kind who looks at it and thinks, There’s money lying on the floor, and nobody is bending over.

Oei Tiong Ham bent over.

Between 1893 and 1910, he bought five bankrupt sugar mills. Pakis. Rejoagung. Ponen. And two more, their names lost to me in the ledger dust. These were dead things. Failures. Corpses with chimneys. He bought them the way a certain kind of doctor takes on a patient everyone else has given up on, and then he tore them apart and put them back together.

He shipped in the newest steam-powered machinery from Europe. Great iron monsters, wheezing and hissing, pistons the size of a man’s body. One historian has called it one of the biggest leaps in mechanization the Dutch East Indies ever saw. I like to picture the first day they fired the boilers, the workers standing back from the machines with their eyes wide, the smell of hot oil and cane juice rolling out across the yard. You can almost feel the ground shake.

But machines were only half of it. Anybody with enough money could buy machines.

What Oei Tiong Ham did next was stranger. He hired Europeans, professional managers, trained experts, and put them in charge of running his factories. He was the first Chinese businessman in the colony to do it. Think about what that meant in that time and that place, with the order of things bolted down as tight as a coffin lid. A Chinese man was signing the paychecks of white men, and telling them what to do.

Some of them must have hated it. I’d bet money on it. And they took the money anyway, because the money was good and the work was good and the man at the top knew exactly what he was doing.

The result was Western technology married to hard-headed efficiency, and the sugar came pouring out. By the time the First World War was at its height, his company was producing hundreds of thousands of tons a year. It went to Singapore. It went to Hong Kong. It went to London and New York. On one side of the world, people stirred it into their tea without a thought. On the other, a man in Semarang counted what it cost them.

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He was the richest man in Southeast Asia. The number people whispered was two hundred million guilders, and I don’t know about you, but a number that big has always struck me as a little obscene, like a smell in a room where nobody wants to look in the closet.

And where did a man like that live?

He lived at Gergaji.

The Gergaji Palace, they called it, though the family name for it was simply the Oei Tiong Ham Complex. Eighty-one hectares. Let that settle. Eighty-one hectares of neoclassical colonial columns, pavilions that looked like they’d been carried whole out of some European fever dream, gardens that went on and on until you lost your sense of where the world stopped. And somewhere in all that green there was a zoo, a private zoo, with rare animals in it, behind the walls of one man’s house.

You would walk in, people said, and feel the everyday world fall away behind you like a door swinging shut. I believe it. Money like that doesn’t just buy a place. It buys a pocket of the world, a bubble where the normal rules don’t apply, and inside it a man can start to believe they never will.

Back in the Old Town, on Jalan Kepodang, the Kian Gwan headquarters told the same story in a different voice. It was a modern building, built to be one. It had its own telegraph system, wired straight into the London exchange, so that Oei Tiong Ham could sit in Java and watch prices rise and fall on the other side of the planet as they happened. Like a spider in the middle of a web, feeling the smallest tremble on any strand.

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And the man himself?

He was a Major of the Chinese. He could have played the part. Worn the robes, kept the queue, been the good, grateful subject the Dutch wanted. Plenty did.

He cut off the queue.

The tauchang, the braid every Chinese man was supposed to wear, a thing with centuries of meaning behind it. Gone, snip, on the floor. He put away the traditional clothes. He wore European suits every day, stiff-collared, buttoned, correct. He was one of the first in Semarang to do it, and I don’t think it was vanity. I think it was a message, delivered without a word to every white man who ever looked at him sideways: I am your equal, and you can see it in my clothes, and you can see it in my ledgers.

Modernity wasn’t a fashion to him. It was a weapon, and he wore it well.

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But here’s the thing about golden ages, Constant Reader. They have an expiration date stamped on the bottom, and the stamp is always there, even when nobody’s looking.

The Dutch colonial government had a tax on inheritance, and it was a big one. Ham looked at it and did the math he always did, and the answer made him leave. In 1920 he packed up and moved to Singapore. Maybe he thought he was outrunning the tax collector. Maybe he was.

He couldn’t outrun the other thing.

In 1924, in Singapore, Oei Tiong Ham died of a heart attack. Just like that. The king of sugar, the man who set the prices, the man who cut his queue and hired white men and built a private zoo. Stopped, like one of his own machines when the steam runs out.

His sons took over, mostly Oei Tjong Swan and Oei Tjong Hauw. And for a while, the empire held.

But a storm was coming. You could see it out over the water, if you knew how to look, and by then the sky was the color of that same old bruise. Indonesia became independent, and the years that followed were years of nationalization and legal fights and foreign assets falling like dominoes. In 1961, the Indonesian state took everything. Everything. Every asset the Oei Tiong Ham Concern held in the country, seized.

Nearly a hundred years of building. Gone in the time it takes to sign a piece of paper.

What was left became the foundation of a state-owned enterprise called PT Rajawali Nusantara Indonesia. Which means the machine kept running. It just had a different name on the door and a different hand on the lever.

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Today the man is dead. The company is dust.

But if you go to Semarang, and you stand on Jalan Kepodang, and you look up at those old, grand buildings with the tropical damp creeping up their walls, you might feel it. Or if you walk through what’s left of Gergaji, the remnants, the ghosts of pavilions, the outline of a garden that has long since been swallowed by streets and roofs.

You might feel it in the back of your neck.

Because from this port city on the north coast of Java, one man once dictated the terms of the world’s trade. He did it with sugar, and steam, and a telegraph that never stopped chattering.

The buildings are still there. And if you’re quiet, and the wind is right, you can almost hear it.

Clack-clack-clack-ding.

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