The Devil’s Carriage: A Tale of Java’s Golden King


 

The black Benz Victoria Phaeton came rolling through the crowd like something out of a fever dream—all gleaming metal and slender wheels, making a sound that wasn’t quite like anything the people of Surakarta had ever heard before. Inside sat Sri Susuhunan Pakubuwono X, and if you’d asked the townsfolk gathered there on that day sometime between 1894 and 1900, they would have told you they were watching the devil himself ride through their streets.

The devil’s carriage, they called it. The demon’s cart.

It spat fire. It moved without horses. It was wrong, somehow, in the way that things that break the natural order are always wrong. The people coughed into their hands, covered their mouths and noses with whatever cloth they had handy, but not a damn one of them looked away. No sir. They watched with wide eyes and open mouths, their terror mixing with something else—something like wonder, or maybe even love. Because the Susuhunan, you see, he knew how to put on a show.

The thing that really got under the skin of the Dutch—and brother, did it ever get under their skin—was that this Indigenous ruler, this man they’d spent decades looking down their long European noses at, had beaten them to the punch. While the Governor-General and his stuffed-shirt officials in Batavia were still clip-clopping around in horse-drawn carriages like it was the goddamned Middle Ages, Pakubuwono X was motoring through the streets in an automobile that cost him somewhere between six and ten thousand guilders. Even the emperors of China and Japan hadn’t gotten their hands on one yet.

The colonial elites felt it like a slap across the face. Humiliation has a particular taste, metallic and bitter, and they were choking on it.

How dare he? That was the question that burned in their bellies, kept them up at night. How dare this colonial-era king have access to modernity that surpassed their own?

But Pakubuwono X—well, he understood something those Dutch bureaucrats never quite got through their thick skulls: in the colonial era, symbolism was a weapon. Wealth was a shield. And he had both in spades.

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They called him De Keizer van Java—the Emperor of Java. Some folks called him Sunan Sugih, the Rich Sunan. The richest man in the Dutch East Indies, they said, and they weren’t lying.

Born Gusti Raden Mas Sayyidin Malikul Kusna on November 29, 1866, he’d taken the throne at the tender age of twenty-six and held it for forty-six years—longer than any other monarch in the history of the Surakarta Sunanate. His reign was Surakarta’s golden age, a time when political stability and economic prosperity came together like lovers in the dark.

The man was intelligent. Flamboyant. Visionary. The kind of person who collected honors like some men collect stamps—decorations from the Dutch Crown, sure, but also from Siam, Cambodia, Mecklenburg, Austria, the Chinese Empire (the “Double Dragon,” no less), and even the Black Star from Benin, Africa. He enjoyed luxury the way a drowning man enjoys air. Seven bathtubs full of gold, diamonds, and jewels, if you believe the stories. And hell, why wouldn’t you?

But here’s the thing about Pakubuwono X—behind all that glitter and show, behind the champagne and the fancy automobiles and the finest-bred horses, there was something else going on. Something darker and more complex.

The money didn’t come from tribute or taxes, not primarily. It came from sugar.

Sugar.

At the end of the nineteenth century, the whole world had sugar fever, and Java was ground zero. Under Pakubuwono X’s rule, the Bengawan Solo River became a vein pumping sweet poison through the heart of the land. Factories with names like Gondang Winangoen, Tjolomadu, Tasikmadu, and Modjo belched black smoke into the Javanese sky, processing thousands of pikul of sugar for export to international markets.

Each refinery was its own little ecosystem of exploitation—sugarcane plantation laborers bent double in the fields, trolley networks moving the harvest, factory workers breathing in that thick, sweet air that probably took years off their lives. But the profits? Oh, the profits were beautiful. They gave Pakubuwono X something the Dutch couldn’t easily take away: financial independence.

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Now, you might think a man with that much money would hole up in his palace and count his gold, but Pakubuwono X was smarter than that. He knew that power isn’t just about hoarding wealth—it’s about being seen to use it.

So he built. Sweet Jesus, did he build.

Pasar Gede Hardjonagoro in 1927. Railway stations at Jebres and Sangkrah. Sriwedari Stadium, which would later host Indonesia’s first National Sports Week. A crematorium for the Chinese community. The Catholic Church of St. Antonius Purbayan.

And on every gate, every bridge, every public building, he left his mark: the “PB X” monogram. A reminder to everyone who saw it that Surakarta’s prosperity came from their king, not from the colonial government in Batavia. It was a middle finger carved in stone, and it would outlast them all.

The palace lifestyle transformed too. Traditional drinks gave way to champagne and hard liquor. Lavish banquets became the norm. The Javanese aristocracy started aping European habits, and nobody seemed to notice or care that they were losing something in the translation.

But here’s where it gets interesting—and when I say interesting, I mean the kind of interesting that keeps you up at night, wondering about the nature of good and evil and whether you can do both at the same time.

Because Pakubuwono X, for all his excess and hedonism, was also a kind of Robin Hood.

When he traveled to remote areas, he’d distribute udik-udik—small coins—to the commoners who gathered to see him. He played the loyal ally to the Dutch Queen in public, attending ceremonies and accepting honors like a good little puppet. But behind the scenes? Behind those palace walls? He was funneling money from his sugar factories to nationalist organizations. Budi Utomo. Sarekat Dagang Islam. Figures like H.O.S. Tjokroaminoto found political protection under his wing.

The Dutch were too afraid of his wealth to interfere. The nationalist movement saw him as a patron, a provider of political space in an increasingly suffocating world.

It was a dangerous game, the kind that could get a man killed if he played it wrong. But Pakubuwono X? He played it just right.

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In the South Square of the Surakarta Palace, two old train carriages still stand like ghosts from another era.

The first—green and white—he used for inspecting his sugar empire, traveling with his family from the grand station at Solo Jebres. The second carriage, though, that one’s different. That one was painted white. Built for a specific purpose.

It was ordered in 1909 and completed in 1914, but it sat unused for twenty-four years. Waiting. Because you see, it was a funeral carriage, and Pakubuwono X wasn’t planning on dying anytime soon.

But death, as any horror writer worth his salt will tell you, doesn’t care about your plans.

On February 22, 1939, just before World War II would tear through the region like a combine harvester through wheat, Pakubuwono X finally took his last ride in that white carriage. They took his body from Solo to Yogyakarta, buried him at Imogiri, and left the carriage at Balai Yasa Yogyakarta where it sat, forgotten and useless, slowly rotting away until someone finally thought to bring it back to Solo.

A void opened up after his death—not just in the palace, but in the very economic structure of the region. The sugar factories that had made him rich were destroyed or seized during the Japanese occupation and the revolution that followed. Palace lands fell into neglect. What had been symbols of prosperity became sources of conflict.

Sriwedari Park—built in 1877 as a gift to the people—became the subject of a nasty dispute in 1970. Kadipolo Hospital, constructed in 1915, got tangled up in a deal involving President Soeharto’s son in 1985.

But the real kicker? The shares.

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Pakubuwono X had been smarter than anyone gave him credit for. He’d quietly purchased stock in twelve major Dutch East Indies companies—oil, pharmaceuticals, logistics. The whole nine yards. These shares were managed by Spaarfonds Bank, then transferred to Bank Indonesia after the chaos of occupation and revolution.

And then… everyone forgot about them.

Decades passed. The shares sat dormant, accumulating value like interest in a cosmic savings account that nobody remembered opening. In 1973, Bank Indonesia announced that colonial-era shares could be claimed. One of Pakubuwono X’s grandchildren—K.B.H.M.H. Djombo Djajaningrat—took up the cause. He navigated the bureaucracy, corresponded with the Netherlands, discovered that the shares were still intact.

395,000 guilders in 1937. Billions of rupiah by the 1980s.

The catch? Court decree required. Deadline: 1987.

At first, the family agreed to let Djombo handle it. But as that deadline crept closer, as the prospect of unimaginable wealth became real and tangible, something ugly started to grow in the family tree. Suspicion. Distrust. Greed.

Not all forty-two heirs—including the reigning Pakubuwono XII—were comfortable with Djombo running the show. In 1983, some of them founded the Makuto Nugroho Foundation to wrest control away from him. They revoked his authority. They took him to court.

Djombo, who’d spent ten years of his life chasing this ghost, felt the betrayal like a knife between the ribs. He warned them: this infighting would destroy them all.

“Even if the money were released,” he said, “it’s not as if I’d keep it all for myself.”

But nobody was listening anymore. The legal process dragged on like a dying man crawling toward water he’ll never reach. Judges got tangled up in jurisdictional disputes. The deadline approached like a freight train in the dark.

1987 came and went.

There’s no record of any massive fund release. No evidence that any of those forty-two heirs ever saw a single rupiah of their grandfather’s fortune.

What remains is just a story—the kind of story that Stephen King might tell you late at night, when the wind is howling outside and the shadows are long—about assets forfeited to the state, buried under ego and distrust, a fortune lost because the people who should have inherited it couldn’t stop fighting long enough to actually claim it.

The devil’s carriage rolled through Surakarta over a century ago, spitting fire and making people cough. But the real demons, as it turns out, were never in the machine.

They were in us all along.

They always are.

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