Sometimes the old symbols rise from their graves like
hungry ghosts, and when they do, blood follows.
Chapter 1: The Lions Wake
On that Friday in June—and wasn’t it always a Friday when
the world decided to crack open like a rotten egg—the fighter jets screamed
across the desert sky like metallic angels of death. Sixty of them, give or
take, each one carrying enough ordnance to turn a city block into a smoking
crater. The kind of numbers that made old men in war rooms smile their cold,
calculating smiles.
Benjamin Netanyahu stood at his office window that morning,
watching the sunrise paint Jerusalem in shades of amber and blood. In his
pocket, a folded piece of paper held the words he’d whispered into the cracks
of the Western Wall ten days prior: “Behold, a people rises like a lion…”
The irony wasn’t lost on him. Ancient words, ancient
symbols, all of it dancing together in a waltz as old as hatred itself.
Operation Rising Lion, they called it. Pretty name for ugly
work. But then again, the prettiest names always hid the ugliest truths, didn’t
they? Like calling a cancer “a growth” or a massacre “collateral damage.”
Across the desert, in the sprawling cities of Iran, people
were going about their morning routines—brewing tea, kissing their children
goodbye, arguing about the weather. They had no idea that in a few hours, their
world would shift on its axis. They never do, these innocent bystanders in the
great game of nations. They wake up thinking Tuesday will be like Monday, that
their corner grocery will still be there when they need milk, that their sons
will come home from university with dirty laundry and big dreams.
But history has a way of reaching out with its bony fingers
and grabbing you by the throat when you least expect it.
Chapter 2: Ghosts in the Machine
The strike came with surgical precision—the kind that makes
military men orgasmic and mothers weep. Tabriz. Kermanshah. Isfahan. Tehran.
Each name a dot on a map, each dot a constellation of human lives about to be
rearranged.
The Khondab heavy water reactor took a direct hit, its
concrete and steel skeleton cracking like an old man’s ribs. Somewhere in the
rubble, a nuclear scientist—a man who’d probably dreamed of peaceful atoms and
clean energy—became another statistic in the great ledger of progress.
But it was the symbolism that cut deepest, wasn’t it? Always
the symbolism.
Rising Lion. Two words that reached back through the
centuries like spectral hands, dragging the ghost of old Persia kicking and
screaming into the present. The lion and sun—that ancient emblem that had
fluttered on Iranian banners when the Shah was still a king and oil was just
black gold waiting to be pumped from the desert’s belly.
In the war rooms of Tel Aviv, someone had been very clever.
Very, very clever.
“The rise of the lion for the victory of light over
darkness,” the propaganda proclaimed, and somewhere in Tehran, old men who
remembered the Shah’s reign felt something cold crawl up their spines. Memory
is a dangerous thing when weaponized. It cuts both ways, like a double-edged
sword spinning in the dark.
Chapter 3: The Puppet Strings
Three days before the bombs fell, a phone rang in the White
House. Donald Trump, that peculiar American emperor with his orange tan and
Twitter obsession, picked up the receiver to hear Netanyahu’s voice crackling
across the Atlantic.
What did they discuss? The weather? The fate of nations? The
price of oil futures?
History would record only that they spoke, but in the spaces
between recorded words, deals were made. The kind of deals that shift the
balance of power like tectonic plates grinding against each other in the earth’s
belly.
By Monday, Trump was tweeting—because of course he was
tweeting—about regime change and making Iran great again. MIGA, he called it,
like some twisted echo of his campaign slogan. The man who’d built his
political career on the bones of American nostalgia was now selling Iranian
nostalgia to the highest bidder.
“If the current Iranian Regime cannot MAKE IRAN GREAT AGAIN,
why not have a regime change???”
The question marks hung in the digital air like vultures,
circling the corpse of diplomatic subtlety.
Chapter 4: The Lion’s Shadow
But here’s the thing about symbols—they’re like viruses.
Once they get into the bloodstream of a culture, they replicate and mutate and
take on lives of their own.
The lion and sun wasn’t just Pahlavi propaganda. It was
older than that, older than the Shah, older than the Revolution, older than the
oil that made men rich and nations crazy. Twelve centuries old, give or take,
evolving through dynasties like a genetic code written in gold and crimson.
Under the Safavids, it represented the marriage of state and
religion. Under the Qajars, they added a sword and crown—because what’s a lion
without teeth, and what’s power without the symbols to prove it? The Imperial
Order of the Lion and Sun, established in 1808, when Napoleon was still
rearranging the map of Europe and America was still figuring out what it wanted
to be when it grew up.
Green, white, and red—the colors of Iranian flags since
1906, when revolution was still a dirty word whispered in coffeehouses and
written on pamphlets passed hand to hand in Tehran’s bazaars.
The lion: power, heroism, the legendary Rostam, Imam Ali—the
Lion of Allah. Images that stirred something primal in the Persian soul,
something that transcended politics and tapped into the deep wells of cultural
memory.
The sun: Mithra, justice, covenants, the light that pierces
darkness. Ancient stuff, the kind of mythology that gets into your bones and
never lets go.
Chapter 5: Exiles and Echoes
Reza Pahlavi sat in his exile—where, exactly, didn’t matter;
exile is a state of mind as much as geography—watching the news coverage with
the mixed emotions of a man whose past had become someone else’s weapon.
He’d been calling for secular democracy, human rights,
non-violent resistance. Noble goals, the kind that look good on letterhead and
sound impressive at fundraising dinners. But nobility has a way of wilting
under the desert sun of realpolitik.
The Islamic Republic was on the verge of collapse, he
claimed. The Iranian people should reclaim their nation, he urged. But from
where he sat—in some Western capital, drinking Western coffee, speaking to
Western audiences—his words carried the hollow ring of distance.
The younger generation in Iran, the women fighting for their
rights, the minorities struggling for recognition—they looked at his royal
bloodline and saw not liberation but another form of oppression. The monarchy,
to them, wasn’t a golden age to be restored but a ghost story told by old men
who’d forgotten the price of their privilege.
“Any genuine democratic transformation must start from
within by the people, for the people, and free from the ghosts of empire,”
someone wrote in CounterPunch, and wasn’t that the truth? The ghosts of empire
have a way of hanging around like unwelcome relatives, overstaying their
welcome and eating all the food.
Chapter 6: The Long Game
Daniel Shapiro, former ambassador to Israel, understood the
game being played. History, he knew, was littered with the bones of those who
thought they could force Iran to its knees through sheer arrogance.
“Iran thrives under pressure,” he observed, and wasn’t that
the damnedest thing? Like a desert flower that blooms in drought, Iran had a
way of turning adversity into strength, sanctions into solidarity, isolation
into innovation.
The Tehran Times quoted him, and somewhere in the halls of
power, analysts were already crunching numbers, running scenarios, gaming out
the possibilities. What if Iran didn’t fold? What if the pressure created not
capitulation but radicalization? What if the lion, instead of lying down,
decided to roar?
Epilogue: The Darkness Between
Netanyahu returned to the Western Wall on that Tuesday, ten
days after his first visit, and slipped another note between the ancient
stones. “That people has risen, the nation of Israel lives.”
The words echoed in the limestone cracks, joining the
prayers of centuries, the hopes and fears of generations who’d stood at that
wall and whispered their secrets to God or history or whoever might be
listening.
But symbols, like prayers, are tricky things. They mean what
you want them to mean, until they don’t. The Rising Lion operation had
succeeded in its immediate tactical goals—bombs fell, targets were destroyed,
important people died. But the lion and sun symbol, that ancient Persian
phoenix, was now loose in the world again, carrying with it all the weight of
memory and the promise of consequences.
In the desert, the wind picked up sand and scattered it
across borders that existed only on maps. The sand didn’t care about nations or
symbols or the grand games of power. It just blew where the wind took it,
covering and uncovering, burying and revealing, like time itself—patient,
inexorable, and utterly indifferent to the small, fierce ambitions of men.
And in the spaces between the official statements and the
classified briefings, in the gap between rhetoric and reality, something
stirred. Something old and patient and very, very angry.
The lion was rising, alright. The only question was which
lion, and whether anyone would be left standing when it finished stretching its
claws.
Sometimes the old symbols rise from their graves like
hungry ghosts. And sometimes, when they do, they remember exactly why they were
buried in the first place.
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